Artwork 3 - Separation
Many thousands of Aboriginal and Torres Strait Islander children were removed from their families, with the authorisation of Australian governments, to be raised in institutions, or fostered or adopted by non-Indigenous families. Some were given up by parents seeking a better life for their children. Many were forcibly removed and see themselves as 'the stolen generations'.
Many of these children experienced overwhelming grief, and the loss of childhood and innocence, family and family relationships, identity, language and culture, country and spirituality.
Separation at Reconciliation Place
This artwork is constructed from stainless steel and slumped glass, and features an image of the boy in the bungalow. Housed within the artwork is an empty coolamon - a traditional vessel for carrying a baby - from which a recorded Indigenous lullaby can be heard. It is a place for quiet reflection - to contemplate the silence and emptiness experienced after children are taken from community.
To symbolise the reconnection with culture, words meaning baby, child or children from a number of Indigenous languages of Australia are etched into the glass panels.
Artwork
- Aboriginal Cultural Advisor: Sharon Payne;
- Architect: Simon Kringas
- Exhibition Designers: Marcus Bree, Benita Tunks
- Graphic Designer: Alan Vogt
Images (by permission of)
- Aerial of spinifex: Richard Woldendorp
- Boy at the Bungalow: National Archives of Australia 1930/1542
- Coolamon: Karen Casey
- Homes are sought for these children: National Archives of Australia A1,1934/6800
- Methodist girls at the Bungalow: National Trust (Northern Territory)
- Mission school, Bathurst Island: National Archives of Australia A263;27a
- School fife band at the Bungalow: National Trust (Northern Territory)
- Three aboriginal children in bath playing in the water: Merle Jackomos
- Water, Sand Pattern: Richard Woldendorp
Audio
- Inanay (lullaby): Lou Bennett (mother's voice), Pep Gascoigne (child's voice), Tim Cole (sound production)